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MUSICIAN

My musical projects

 
 
 
 
 
SOLOS​
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l clarinetto come strumento per nuove esplorazioni. Il vento e il legno, combinati con un utilizzo sperimentale dell’elettronica, danno forma a sonorità intriganti in grado di tenere insieme presente, passato e futuro. Il clarinetto diventa così una chitarra elettrica, un sintetizzatore, un set percussivo e tutti questi strumenti insieme.

 
 
 
 
OLIVER RIVER GESS BAND
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The "Oliver River Gess Band" - whose name jokingly alludes to a local stream, with a reference to the fluvial tradition of the orchestras that performed on the boats of the southern States at the time when the spelling of the term "jazz" was not yet standardized - was born in Cuneo in 1991, performing for the first three years of activity as "King Oliver's Jazz Keepers".
The intent is, from the beginning, programmatic: to divulge and propose live the New Orleans genre of the dawn, and in particular the recordings of the legendary “King” Oliver with his Creole Jazz Band. The work requires an accurate and laborious recovery of the original arrangements, made with patient transcriptions from often rudimentary recordings, a characteristic of the orchestra that obtains immediate and prestigious acclaim from the very first concert performances.

 
 
 
 
 
TAXI DOWNTOWN TRIO
 

Fhurt gently, caress by scratching the strings and the voice.Taxi Downtown is the fastest way to the slums of music, in that area of the city where sordid rooms open only to loyal customers, protagonists and recipients of blues stories .Taxi Downtown doesn't take you where you wanted to go, because the taxi driver is like the bartender and it's like the blues, the acoustics seem electric and known melodies are diluted in original arrangements.Taxi Downtown doesn't even charge the fare. Because that's where he wanted to go too.

 

 

OFFICINE PSYCHO

 
Notes roll and bounce on plates and drums like electric seahorses in the wake of steel dragons and lashes of light, faces soiled with fear in procession, violent dances of soldiers at war without a king, deserts of petrified sound, primordial silence embodied, fall over time, crooked and metallic liturgies of daily alienation, innocent eyes in the white noise of a thousand factories, an altar on fire, offended, in a restless concert of mental snow ".
Sounds meet the image in a 'vision' that transcends the usual musical routes to venture on the dazzling paths of improvisation.
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